What was the focus of the Freie Buhne society?

What was the focus of the Freie Buhne society?

• A. Promoting opera in commercial theatres
• B. Sponsoring banned performances
• C. Establishing dramatic schools
• D. Producing musical theatre

Answer: (B)

The Freie Bühne society, founded in Germany in 1889, aimed primarily at promoting the production of new plays and works that were typically banned or not performed within the commercial theatre system of the time. It provided a platform for playwrights and artists to present their work outside of the mainstream commercial theatre, which often limited the types of plays that could be staged due to financial constraints and societal expectations. The society was instrumental in championing naturalism and realism in drama, showcasing works that addressed contemporary social issues and themes. This focus on producing plays that were not accepted by traditional theatres allowed for greater artistic freedom and contributed significantly to the evolution of modern theatre. The mission of the Freie Bühne aligns closely with the answer regarding sponsoring banned performances, as their activities and ethos were centered on overcoming the restrictions of conventional theatre.

The Freie Bühne society, founded in Germany in 1889, aimed primarily at promoting the production of new plays and works that were typically banned or not performed within the commercial theatre system of the time. It provided a platform for playwrights and artists to present their work outside of the mainstream commercial theatre, which often limited the types of plays that could be staged due to financial constraints and societal expectations.

The society was instrumental in championing naturalism and realism in drama, showcasing works that addressed contemporary social issues and themes. This focus on producing plays that were not accepted by traditional theatres allowed for greater artistic freedom and contributed significantly to the evolution of modern theatre. The mission of the Freie Bühne aligns closely with the answer regarding sponsoring banned performances, as their activities and ethos were centered on overcoming the restrictions of conventional theatre.